I wonder why the Metroid series never used the NES themes ever again, besides Super Smash Bros and Zero Mission.
Welcome to Smashboards, the world's largest Super Smash Brothers community! Over 250,000 Smash Bros. fans from around the world have come to discuss these great games in over 19 million posts!
You are currently viewing our boards as a visitor. Click here to sign up right now and start on your path in the Smash community!
A Castlevania Musou game might also be pretty cool.You know what are two other franchises that could make good Musou games? Soul Calibur and Transformers.
Oh, and I forgot, they could even bring back the song I Won't Let This End As A Dream (RE1 Japanese Ending song).It'll never happen, but I'm hoping, for a future Resident Evil game, Capcom will bring back the opening and ending songs from RE1, Terror (Darkness Lives) and Still Dawn, and maybe even bring back the song Icy Gaze (I Got A Shotgun).
They even made Wesker's Theme sound like he's in a 70s buddy cop show:I have a question about the Dual Shock version of Resident Evil: Director's Cut. Why did Capcom feel the need to change the soundtrack? In fact, why did they try to fix something that wasn't broken only to make it ultimately worse?
The Dual Shock Version had a few good tracks, but the rest of them just had godawful MIDI arrangements! And don't even get me started on the Mansion Basement:
I feel like Japanese animation studios used to help co-produce a lot of Western animated shows, at least in the 80s and the 90s. This may no longer be the case, possibly due to Japanese laws.
Somehow I feel like it may also be an international law thing.Who is making these laws? Other than the ruler of Japan if applicable?